THE ATELIER:
Along with running the frame shop and painting June also has pastel
painting classes in her shop/studio. It is an ongoing class
consisting of painting in pastel, color theory, composition, etc.
if
you are interested in taking the classes, just call to get more
information.
The pastel medium is pure pigment, the same pigment used in making
all fine art paints. It is the most permanent of all media when
applied to conservation ground and properly framed. Pastel has no
liquid binder that may cause other media to darken, fade, yellow,
crack or blister with time. Pastels from the 16th century
exist today, as fresh as the day they were painted.
An artwork is created by stroking the sticks of dry pigment across
an abrasive ground, embedding the color in the “tooth” of the paper,
sand board, canvas, etc. if the ground is completely covered with
pastel, the work is considered a pastel painting, and leaving much
of the ground exposed produces a pastel sketch. Techniques vary with
individual artists. Pastel can be blended or used with visible
strokes. The medium is favored by many artists because it allows a
spontaneous approach. There is no drying time and no allowance has
to be made for a change in color due to drying.
A particle of pastel pigment, suspended in gum tragacanth seen under
a microscope looks like a diamond with many facets. Therefore,
pastel paintings reflect light like a prism. No other medium has the
same power of color or stability. Pastel does not oxidize with the
passage of time.
Note: pastel must never be confused with colored chalk. chalk is a
limestone substance impregnated with dyes.